Tom Malone Prize 2019
The Tom Malone Prize is a highly respected national event within the Australian glass art community.
Glass is one of the most exciting and dynamic art forms in this country. It is a uniquely captivating medium, capable of almost endless transformation. Glass provides a perfect vehicle for the exploration of a range of themes, from the personal to the observational, and Australian makers are some of the world leaders in the medium.
Each year, the Tom Malone Prize presents new works by many of Australia’s best glass artists. In 2019, the exhibition features the work of Lewis Batchelor (SA), Clare Belfrage (SA), Matthew Curtis (ACT), Liam Fleming (SA), Mark Eliott (NSW), Jennifer Kemarre Martiniello (ACT), Marc Leib (WA), Jeremy Lepisto (ACT), Nick Mount (SA), Stephen Skillitzi (SA), Anne Sorensen (WA), and Kayo Yokoyama (NSW).
The Tom Malone Prize has played an integral role in the Gallery’s acquisition of works by Australia’s most inspiring, innovative and accomplished artists in this medium. Capturing some of the diversity in the approaches to glass in Australia, the Prize showcases key trends in glass art and the incredible skills of the makers.
Now in its 17th year, the Tom Malone Prize continues with the support of Ms Sheryl Grimwood, AGWA Foundation Benefactor.
The winner of the $15,000 acquisitive prize for Australian glass artists is Mark Eliott for his work Down at the water table. This year's judging panel of Aimee Frodsham (Creative Director at the Canberra Glassworks), Elizabeth Malone (Art Gallery of Western Australia Foundation Benefactor), Dr Stefano Carboni (Director, Art Gallery of Western Australia and Robert Cook (AGWA Curator of 20th Century Arts) said of the work:
“As we moved around the highly competitive field of this year’s truly outstanding works, we found ourselves coming back to our eventual winner: Mark Eliott’s wonderful Down at the water table. What an unusual piece! Cartoony but not humorous, whimsical but not impulsive, it’s entirely in keeping with the offbeat, ever-inventive work Mark has been making over the last 20 years. It’s the first time an artist using predominantly flame-work has won the Prize, and it’s a brilliant example of the possibilities inherent in this technique. Fluid and downright untamed, Down at the water table feels simultaneously carefully planned and totally seat-of-the-pants improvised. Either way, it’s a delicate high-wire act of technical skill, yet also a very intimate work. There’s a lot to observe at close detail and a stack of surprises to be encountered (like the figures in the upside down human/canine realm) and really beautiful chromatic nuances. It’s brilliantly fresh in all ways, and we couldn’t be happier with Mark’s piece as a winner for 2019.”
Image credits - Lewis Batchelar Landscapes 2018. Blown glass, murrine, lathe worked and pumice finished, 41 x 19 cm (tallest). Photographer: Michael Haines. Mark Eliott Down at the water table 2018. Borosilicate glass – blown and hot sculpted, recycled Australian Red Cedar, water, 58 cm H x 69 cm W x 16 cm. Photographer: Richard Weinstein.